By Peter Dickinson.
This book picks up with the epilogue to The Ropemaker repeated as a prologue: Saranja returning home 20 generations after the events in the first book, and finding herself on an adventure very similar, at first, to the first one. The feel of the writing is also quite similar, although with more romance and string theory. However, the world described still feels like it mostly doesn't exist (i.e., doesn't have a history or people doing things outside of the narrative). outside of what happens in these books.
The use of Maja, an 11 or 12-year-old girl, as the main point-of-view character is particularly interesting because of her vulnerability to frequent blackouts. Unlike Tilja in the first book, who had a special immunity to magic, Maja doesn't see everything of importance that happens, and important events often happen while she is asleep or passed out, although she is still vital to the quest.
This book can probably be read alone without missing too much, although there are references to the events of the first book. I have no idea what to recommend it as; despite the size, it's a fairly light read with a flat villain and a not-too-memorable plot. Somewhat enjoyable, but not very deep.
(Slightly?) spoilery quote: "Life as a rag doll isn't all kisses and cuddles."
Showing posts with label Peter Dickinson. Show all posts
Showing posts with label Peter Dickinson. Show all posts
Thursday, April 24, 2008
Saturday, April 19, 2008
The Ropemaker
By Peter Dickinson.
The sequel is Angel Isle, but I haven't yet read it.
This is a straightforward quest fantasy. Straightforward isn't meant to imply that there are magical swords, elves, or dwarves, but more that everyone is who they appear to be. No one is on ambiguous moral ground here, at least from the perspective of the protagonists, and they never trust anyone that it turns out they shouldn't have. While fairly enjoyable to read, I don't think there is a lot of real depth, although some is hinted at, such as the Emperor's policies concerning life and death. (If you die without paying your death tax, your progeny is liable to be enslaved and sold to pay the debt.)
The story principally follows four people from the Valley, a region that has been protected from the Empire and from barbarian tribes to the North by a magical barrier for the last two hundred years. When the barrier starts to fail, Tilja and her grandmother and Tahl and his grandfather set out to find the man who initially put it into place, planning to ask him to restore it. Along the way, they learn about the Empire that they've been isolated from for the last two hundred years.
Enjoyable, but straightforward, making only relatively minor references to issues like aging, death, and the corruption that comes from power.
The sequel is Angel Isle, but I haven't yet read it.
This is a straightforward quest fantasy. Straightforward isn't meant to imply that there are magical swords, elves, or dwarves, but more that everyone is who they appear to be. No one is on ambiguous moral ground here, at least from the perspective of the protagonists, and they never trust anyone that it turns out they shouldn't have. While fairly enjoyable to read, I don't think there is a lot of real depth, although some is hinted at, such as the Emperor's policies concerning life and death. (If you die without paying your death tax, your progeny is liable to be enslaved and sold to pay the debt.)
The story principally follows four people from the Valley, a region that has been protected from the Empire and from barbarian tribes to the North by a magical barrier for the last two hundred years. When the barrier starts to fail, Tilja and her grandmother and Tahl and his grandfather set out to find the man who initially put it into place, planning to ask him to restore it. Along the way, they learn about the Empire that they've been isolated from for the last two hundred years.
Enjoyable, but straightforward, making only relatively minor references to issues like aging, death, and the corruption that comes from power.
Labels:
fantasy,
middle grade,
Peter Dickinson,
reviews,
young adult
Friday, June 08, 2007
Water: Tales of Elemental Spirits
By Robin McKinley and Peter Dickinson.
This is an anthology of six stories, three by McKinley and three by Dickinson. Five of them have what I would call happy endings; one of them is ambivalent.
"Mermaid Song." I love the image of the helpless one being helped.
"The Sea-King's Son." Romeo and Juliet where one breathes air and the other...
"Sea Serpent." This is the ambivalent one; I'm not sure I understand the point of it, or really appreciate it.
"Water Horse." This one is also odd, but not quite as bad.
"Kraken." A creature of cold and darkness that isn't what you would think.
"A Pool in the Desert." A story of Damar, this one plants the Homeland straight in the late 20th century. (They watch TV and have computers!) It maybe doesn't make perfect sense and "King Tor the Just and Powerful" gets a little tired after a while, but it's cute like almost everything by McKinley.
All in all, a fairly good collection, I think. Once again, not real deep, but quite satisfactory as entertainment. I should have checked it out sooner, perhaps.
This is an anthology of six stories, three by McKinley and three by Dickinson. Five of them have what I would call happy endings; one of them is ambivalent.
"Mermaid Song." I love the image of the helpless one being helped.
"The Sea-King's Son." Romeo and Juliet where one breathes air and the other...
"Sea Serpent." This is the ambivalent one; I'm not sure I understand the point of it, or really appreciate it.
"Water Horse." This one is also odd, but not quite as bad.
"Kraken." A creature of cold and darkness that isn't what you would think.
"A Pool in the Desert." A story of Damar, this one plants the Homeland straight in the late 20th century. (They watch TV and have computers!) It maybe doesn't make perfect sense and "King Tor the Just and Powerful" gets a little tired after a while, but it's cute like almost everything by McKinley.
All in all, a fairly good collection, I think. Once again, not real deep, but quite satisfactory as entertainment. I should have checked it out sooner, perhaps.
Labels:
anthology,
fantasy,
Peter Dickinson,
recommended,
reviews,
Robin McKinley,
short stories
Friday, May 25, 2007
Eva
By Peter Dickinson.
I found this story very reminiscent of "Rachel in Love", for reasons that should be obvious shortly after starting the book. It was quite readable, but I didn't think it was exceptional. It's a peculiar kind of dated sci-fi where the future has "shapers" before it gets away from tapes as storage media. This may have bothered me and interfered with my enjoyment of the story more than I am willing to admit.
An okay story, but not really strong. Not really recommended.
I found this story very reminiscent of "Rachel in Love", for reasons that should be obvious shortly after starting the book. It was quite readable, but I didn't think it was exceptional. It's a peculiar kind of dated sci-fi where the future has "shapers" before it gets away from tapes as storage media. This may have bothered me and interfered with my enjoyment of the story more than I am willing to admit.
An okay story, but not really strong. Not really recommended.
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